Originally published and still available on Post-Modern Sleaze (20/06/16).
Leonardo DiCaprio embarks on a quest for survival through harsh terrain in this artfully vengeful Oscar-winning masterpiece. ★★★★★
When a film begins to trailer a good two months prior to its release date, the viewer is left to assume one of two things; The First: that said film has a really big budget to recoup or – Second: that this film is being plugged, shamelessly, for Oscar season. Occasionally, both are true and, even less often, they actually turn out to be worth the hype.
From the first viewing of the tense, adrenaline fuelled trailer, it was apparent that The Revenant was one such film (it cost $135 million), and as seems to be perquisite these days, we are treated to approximately 90% of the plot in the promo alone. Native American attacks, bear mailings and live burials are no spoiler. Set in hostile US territory circa 1823 and based on real life events, The Revenant follows the tale of intrepid explorer Hugh Glass (Leonardo DiCaprio) and the events following his being severely injured during the aforementioned bear attack. The remaining members of the pelt-hunting crew drag him along for as far as they dare before Captain Andrew Henry (Domhnall Gleeson) and co push onwards for help, leaving Glass with his son Hawk (Forrest Goodluck), naive youth Jim Bridger (Will Poulter) and poacher John Fitzgerald (Tom Hardy), whose outlook is as harsh and unrelenting as the terrain.
We all know what happens next, thanks to that over-revealing trailer; Fitzgerald thinks it kinder to snuff Glass and be gone, much to the distress of Hawk, who Fitzgerald murders whilst Glass looks on and buries him in a shallow grave. It’s quick, shocking and tense, and it is the start of our intrepid chase across the wilderness. For a film that is nigh on two and a half hours long, director Alejandro G. Iñárritu – he of Birdman (2014) fame, for which he won multiple Academy Awards in 2015 – creates a pace and ambience that drives the inhabitants of this world onwards in a quest to escape the peril and solitude. It is a testament to DiCaprio’s earnest performance as Glass that, despite being the sole entity onscreen for the majority of the film, he conveys more emotion via his eyes and body language than many an actor struggles to do with their voice. He (and the rest of the cast and crew, for that matter) is certainly put through the ringer; clambering in and out of frozen rivers, sleeping in animal carcasses, chowing down on raw bison liver (DiCaprio is vegetarian) and the constant threat of hypothermia were no doubt contributory factors that saw the actor
finally being awarded an Oscar for Best Actor.
Continue reading at Post-Modern Sleaze.
Originally published and still available on Post-Modern Sleaze (21/06/16).
BRR! BRR! You know the drill: spoiler time once again, and a couple of biggies this episode. Some bigger than Drogon.
Going against this season’s tradition of starting every episode up t’North, we find ourselves in Meereen which, at the end of the last episode, was being firebombed by the Master’s fleet of ships. Understandably, Daenerys (Emilia Clarke) is not impressed; sure it’s been a while since she was spirited away, but it was barely any time in the grand scheme of things. It even served her well, as she acquired an army of Dothraki (read: every tribe) in the process. Tyrion (Peter Dinklage) actually looks sheepish as he answers to his queen on the how’s and why’s of the city being bombarded. Together with Grey Worm (Jacob Anderson) and Missandei (Nathalie Emmanuel), the pair state their claims: that the Masters broke their agreement with Tyrion and, in attacking Meereen, they are being treacherous. Daenerys frees Rhaegal and Viserion from their prison – the pair are noticeably smaller than Drogon – and together the three destroy the Master’s army (all, somehow, without burning their fleet of ships. Convenient, right?).
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Originally published and still available on Post-Modern Sleaze (15/06/16).
Spoiler-bound, but no fear! This was a (relatively) quiet episode.
This week is Arya’s week, which I’m rather glad about. Her entire story has been on the back burner since last season, when she arrived in Braavos and opted to spend her days being bashed with sticks. So far this season, she has learnt some valuable lessons, such as not victimising others for personal gain, humility and perseverance. She definitely missed the memo on obedience, but this is Arya Stark. We have always loved the rebel in her.
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Originally published and still available on Post-Modern Sleaze (10/06/16).
Spoiler spoiler everywhere, be wise or you’ll be in for a scare!
What’s that coming over the hill, chop-chop-chopping wood as he goes? It’s not… can it be… The Hound!? It’s a bold first shot for this week’s episode (can you believe that we’re on week seven already!? Where is the time going?), but depending on how much of a social media denizen you are, you may or may not have already seen some compromising theories pertaining to such over the peat week or two. I’ll link the Cleganebowl theory HERE should you be as much of a speculative and nosy and self-spoiling obsessive as I.
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Originally published and still available on Post-Modern Sleaze (06/06/16).
Spoilers if you are lagging behind: beware. Or if you’ve given up on a spoiler-free existence, come right on through!